No pengis
Quan la vida està en perill, què estaries disposat a fer per salvar-la?
'No pengis' reprodueix trucades a temps real que fan diversos personatges al telèfon d'emergències. El temps juga a la contra i prendre decisions no sempre és tan fàcil quan el que hi ha en joc és la vida.
Una ficció original de Laura Estrada i Pablo Sánchez.
No pengis
DANIEL
Use Left/Right to seek, Home/End to jump to start or end. Hold shift to jump forward or backward.
En Daniel fa moltes hores que desconeix on és la seva dona: l’últim que en sap és que ha anat al supermercat. Truca a emergències després d’intentar-la localitzar desesperadament, el seu mòbil dona senyal, però no li agafa. Ha trucat a les amigues i a la família; ni rastre de la seva dona... Trobar-la no significarà el que s’havia imaginat en un principi en Daniel. Amb Manel Barceló, Albert Prat, Pablo Macho, Rosa Badia i Berta Vaillo.
‘No pengis’ és una ficció radiofònica creada per Laura Estrada i Pablo Sánchez, enregistrada a la Sala Beckett / Obrador Internacional de Dramatúrgia, amb la direcció de Xavier Albertí i el suport de l’ICEC. Veu en off: Marc Peñarroya. Suport a la producció: Ferran Bassaganyes, Tomàs Sánchez, Gala Luceño, Henry Sánchez; amb l'ajuda de Magí Camps i Rosa Badia.
Gracias.
SPEAKER_02Una ficción radiofónica de Laura Strada and Pablo Sanchez.
SPEAKER_03Daniel.
SPEAKER_06Hello, Baronet.
SPEAKER_03D'accord. What is it?
SPEAKER_06And we've done it. And we have to say you have to go to the bag and it's not a little bit more. No, especially, but it's imprevisible.
SPEAKER_03No, no, no, no, no. Yeah.
SPEAKER_06Do you have any manner to localize the telephone? But I'll see the telephone in the top.
SPEAKER_03If you don't have a telephone, but if you're impossible to localize it.
SPEAKER_06Yeah. Well, if you put the telephone, not function exactly. Because if you look at the telephone emergency, it's not different, no?
SPEAKER_03No, no, not exactly. Yeah, yeah. But we have an agenda police. You have to do it.
unknownNo.
SPEAKER_06No, but I'm not sure.
SPEAKER_04No, my mama. No, nothing. No, no, no. No, I'm not sure.
SPEAKER_05Hello?
SPEAKER_06Hello, Jane. Perfect, disculpe. No, no, no.
SPEAKER_05Come on.
SPEAKER_06But I'm just prepared.
SPEAKER_05When I started the car, you still have to do it.
SPEAKER_06So burr, so burr, but I'm not sure, but I'm confident. I took it in milk. No, but I'm not sure. If you have emergency, I would like to provide the local.
SPEAKER_05And you can have the telephone. But if you don't have difference, I'll say if you have a number of policies, I'm sorry, no?
SPEAKER_06Maria.
SPEAKER_05Maria?
SPEAKER_06Maria Castell. It's Fredira. Daniel. Daniel Sankez Gonzalez.
SPEAKER_05If you have information, we'll come in here. No. But I'm trying to get the Maria.
SPEAKER_06But I'm not sure. No, I'm not going to be right.
SPEAKER_05Daniel. Daniel, I'll be able to do it.
SPEAKER_06No, I'm going to go.
SPEAKER_05Daniel, I'll be able to get this active. If you want to go to the house, you can't do it.
SPEAKER_02Dirigir par Xavier Albarti, Amman Albarsalón, Pablo Macho, Albert Bragg, Berta Bahillo y Rosa Badía. Ama al soporta del Instituto Catalada las empresas culturales y la sala de que tubradó internacional de dramaturgia.